Tatsumi (film) and A
Drifting Life by Yoshihiro Tatsumi
Tatsumi film released 2011
A Drifting Life published 2008 in Japan and 2009 in America
Tatsumi (film):
·
The film took a live action approach in
depicting the onsets of both the life of Tatsumi and the graphic novels to
which he worked on
·
It is interesting to note where the adult manga
genre came from, given that manga had the same connotation of as the “funny
papers” of children as opposed to a medium that was supposedly enjoyable by
adults as well
·
It is interesting to see Tatsumi as the
contemporary of Tezuka, another influential man on the art of manga. It is also
interesting to see Tatsumi note Tezuka to be envious of him at the time
·
It is assumed that the film followed the format
of the graphic novel, though portions of Tatsumi’s life is abridged in favor of
fitting the film to a certain time limit
·
The outlay of Tatsumi’s life alongside the works
he made relevant to the events in his life placed publication date out of order
yet still maintained the importance of how certain factors in his life
contributed to the style of narration and drawing to which he is noted for
·
The graphic tales in black and white have a feel
similar to a motion comic in that the line work and use of black on white
notably define how one views the work. This is comparable to the colored work
to which the film illustrates the autobiographical portions of Tatsumi’s life
·
It is noted the adult themes of Tatsumi’s works
that are featured, given that the contemporary style of Japanese manga was that
stereotyped to Tezuka’s style: which is somewhat of a Golden Age of manga style
·
The publication industry of Osaka and Tokyo are
made known by Tatsumi’s relations to reporters and how he gained money by
working long hours in miserable conditions to pay for his family: a stereotyped
trend for manga artists that persists to this day save for those who actually
succeed in fame and fortune.
·
The transition from the “Occupied” short story
to his real life narration was done beautifully, with how he had his
protagonist drop a pen into the toilet after being arrested for sketching
profanity onto the walls while Tatsumi in the next panel picks up supposedly
the same pen while still narrating
·
The themes of Tatsumi’s stories are also of
interest: being the ones shown in the film to be on topics of post-World War II
Japan, Japan during the contemporary industrial life, Japanese middle age and
sexuality, the field of Japanese manga artists and their depictions of
sexuality in society, Japanese women post-World War II and his own
autobiography
·
It is interesting to note that Tatsumi phrases
each story as him discovering a new world rather than creating one, showing he
draws inspiration when writing and drawing as opposed to forcing his own
imagination onto reality
·
Tatsumi having his characters read their own
books in the end of the film was a good touch, having it seem like all is full
circle with his depiction of the worlds he creates
Bibliography
Tatsumi. Dir. Eric Khoo. Perf. Tetsuya Bessho and
Yoshihiro Tatsumi. Zhao Wei Films, 2011. Film.
Tatsumi,
Yoshihiro. A Drifting Life.
Quebec, Canada: Drawn and Quarterly, 2009. Print.
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