Showing posts with label Kurt Busiek. Show all posts
Showing posts with label Kurt Busiek. Show all posts

Friday, November 23, 2012

REVIEW: Astro City Confessions


Astro City
Written by Kurt Busiek, illustrated by Brent Anderson and Alex Ross
First published in 1997
Astro City: Confession
·         The story centers on a sidekick character for the majority of this installment of Astro City: the Choir Boy. He’s the sidekick of the Confessor, who is a Batman detective vampire character.
·         With the Confessor’s style of justice in the night, we see the night life and night crimes of Astro City, which is contrary to the bright and optimistic light of Astro City in the day.
·         Even Jack-in-the-Box, a superhero who has a gadget and acrobatics motif, isn’t as dark in tone as the Confessor’s stories.
·         The Confessor’s arc brings to mind that no matter what you are you can be a hero
·         The hero’s journey of Choir Boy brings an outsider to Astro City who wants to become a hero who in turn learns that there is more to being a hero than fame and respect, a trend Booster Gold in DC comics went through.
·         With the alien invasion to discredit the heroes being prevalent in the arc, we see why they included the alien spy arc in the first volume.
·         The fact that politicians choose not to bring heat to heroes in Astro City until this arc highlights how intergraded heroes are in the Astro City society, to the point that no one questions their motives or questions that the heroes could turn against the public
·         Again the art is beautiful and the design for the Confessor is well played, given that he allows his symbol to be a cross in order to self-punish himself so as to drive backs his bloodlust as a vampire and channeling his focus into fighting crime.
·         The introduction of the Crossbred, a religious themed group of heroes like the X-Men, brings to light the discrimination some groups of heroes may get for their beliefs. Incidentally, they are the most tolerant of the public’s discrimination against them during the manhunt for the heroes besides the Confessor.
·         When Choir Boy brushes off side hero plots like synopses of comic arcs, it highlights that super events in comics to the heroes that are part of the timeline barely note the happenings of others outside of general politics, similar to how real people know legislation and armed conflict in real life but do not put too much thought into it.
·         The story of the Hanged Man highlights that lives to get changed in timeline altering events in comics even if things seem to go back to normal, as one man feels empty after a day where his wife ceases to exist.
·         Choir boy becomes the new Confessor, with the public’s view of him being renewed as good after the original vampire Confessor sacrificed himself to save the planet.
·         Overall, I loved the Confession arc of Astro City, as it shows the underground that the daytime Astro City doesn’t show. It also shows how people get into the city hoping to get into the hero business and how dreams can be altered with growth in such a bizarre city of heroes.
Bibliography
Busiek, Kurt, Brent Eric. Anderson, Richard Starkings, John Gaushell, Steve Buccellato, and Alex Ross. Kurt Busiek's Astro City: Life in the Big City. LaJolla, CA: Homage Comics, 1997. Print.

Saturday, November 10, 2012

REVIEW: Astro City


Astro City
Written by Kurt Busiek, illustrated by Brent Anderson and Alex Ross
First published in 1995
Astro City
·         The story notably centers on a city and its environment as opposed to a central hero: like Eisner’s Spirit for some of its publications.
·         The focus of the first publication “Life in the Big City,” focuses on heroes as well as criminals and civilians. The first was on Samaritan, a Superman analogy who can only dream of enjoying his powers as he constantly has to save people. The second was on a reporter who kept a classified hero conflict up to a point. The third is on a criminal who finds out a hero’s identity and is haunted by the prospect of the hero getting him. The fourth is a lady who is admirer of a feminist superheroine. The fifth one is on an alien invader who watches the heroes to decide if he should invade. The last is on a date between heroes while they are in costume: Samaritan and Winged Victory.
·         Astro City has the feel of a Silver Age comic series in background where great things happen all the time but people treat it as happenstance and don’t make big political moves to deal with superheroes or villains.
·         The third story was a good psychological tale of a criminal who finds a hero’s identity: with his fears of the hero and the mob who may betray him a good point to why normal civilians who even figure out hero identities rarely take advantage of it.
·         The good nature of the heroes in Astro City indicates that the heroes are not a violent, Image Comics bunch. Instead, it seems to focus on Silver Age like storylines where things are goofy and crime happens but there are no repercussions to heroes or daily people.
·         With the civilians save for the common criminal, despite them getting into danger and almost dying the prospect of heroes in a city draws common people to Astro City: thus indicating that those who would bother to stay in a city of heroes have more of an adventurous, bold part of their personality.
·         In the trade copy, there is a map of the layout of Astro City, thus indicating that the creators had a specific idea of how Astro City should be unlike Metropolis or Gotham City where it is left to the interpretation of every succeeding artist to decide the geography of what the city looks like.
·         The hero date seemed conspicuous on the last story as it would have made more sense for them to go not in costume. However, given how old Samaritan looks out of hero form it may have been done to the benefit of Winged Victory.
·         Overall, I liked the story though with Alex Ross as part of the team I thought it would have been even better if he did the actual artwork for the comic and not just character designs and covers. The take on superhero life in a functioning city and how the culture of that mirrors musings like Plato’s Republic and Thomas Moore’s Utopia in picturing a society to an ideal form: in this case it is of an ideal society catered to heroism.
Bibliography
Busiek, Kurt, Brent Eric. Anderson, Richard Starkings, John Gaushell, Steve Buccellato, and Alex Ross. Kurt Busiek's Astro City: Life in the Big City. La Jolla, CA: Homage Comics, 1996. Print.