Showing posts with label yukito kishiro. Show all posts
Showing posts with label yukito kishiro. Show all posts

Saturday, April 13, 2013

REVIEW: Battle Angel OVA


Battle Angel (OVA)
Original manga by Yukito Kishiro
Battle Angel (OVA)
Originally aired in 1993
·         Due to the translational difference, “Alita” is “Gally” in the anime and the manga.
·         They add a romantic interest in an assistant to Doctor Ido in the OVA and downplayed the romantic tension between Alita and Ido.
·         The language used in the anime is Korean despite the fact that the Battle Angel Alita series is implied to either take place either in Japan or America in the future.
·         Unlike the manga, Ido is much more reserved in the anime and comes off more altruistically, not depicted as a sadistic hunter of rogue cyborgs but rather a proper father figure for Gally. He is also implied to be a great surgeon who helps cyborgs in the slums which is seen as beneath him despite the depiction of him in the manga.
·         The love interest for Gally and the lady doctor turn out to be shady characters in the anime and that Gally and Ido are the most balanced of the bunch.
·         The back story for the spine/brain stealing giant cyborg was changed to be less sympathetic in the anime as he is seen as but a tool for the lady doctor to get back into a floating city.
·         The back story for Gally’s Berserker armor is never explained and Ido placed the destructive machine body onto Gally despite the dilemma as a father figure he had in the original manga.
·         Violence has been toned down in the anime save for the dismemberment of a dog, where cyborgs and people are only implied to be killed with blood splats but nothing more violent than that.
·         The one black character looks complex compared to the simplistic and relatable designs of Ido and Gally in the anime, who is in turn beaten up by Ido for tricking the boy Yugo into stealing spines and getting himself turned into a cyborg.
·         Cyborgs are touched more upon in the anime than that of the manga, where cyborgs are seen as either forced implants to keep one alive or something you do in order to become more like a warrior. This was not touched upon in the manga as cyborgs are still considered “people” as with Alita’s case in the manga.
·         The fates of side characters are notably more brutal in the anime though not depicted, like how Yugo was killed from trying to get into the flying city and the lady doctor being killed and harvested for her organs by the shady black man.
·         The anime itself was called “Battle Angel” as opposed to “Battle Angel Alita” or “Gunnm” as with the original Japanese title. There were only two episodes “Rusty Angel” which was a retelling of Gally’s origins and “Tears Sign” which was original for the anime (at least not being in the first volume).
·         Overall, it was a great watch but the politics of organ donations played more into the anime compared to the definition of being human as with the original manga.
Bibliography:
Battle Angel. Dir. Hiroshi Fukutomi. Perf. Miki ItôAmanda Winn LeeShunsuke KariyaKappei YamaguchiMami Koyama. Prod. ADV Films, 1993. DVD.

Monday, April 8, 2013

REVIEW: Battle Angel ALita


Battle Angel Alita
By Yukito Kishiro
Battle Angel Alita
Originally published in 1991
·         The cover depicts Alita with angel wings despite the fact she does not get any wings in the series. In fact, her name is that of Ido’s dead cat as established early on.
·         A lot of terminology in the series requires use of sci-fi captions as characters rarely dive into the nature of the world that they live in. An example would be when Alita is appraised by Ido to have the legendary fighting style Panzer Kunst (Page 28), which is never explained in story yet there are captions forced into the gutters explaining to the readers that it is a form of martial arts.
·         Alita is appraised as being a human being by Ido in the beginning despite the fact that she is clearly cybernetic and that there are no indicators that she is a cyborg or even organic early on in the story (Page 8-9). This could mean that humanity has moved past the vanilla idea of what constitutes a human by this futuristic story.
·         Alita’s dream sequence has it so she sees herself as a child (Pages 86-88, 98) when Ido first found her which contrasts with how we see her as the reader as a broken robot (Pages 1-11).
·         This whole segment of Alita being a discarded robot with amazing fighting powers contrasts drastically with how Tezuka portrayed Astro in Astro Boy, another robot child with super powers and a heart of gold. In fact, the brutality of Alita’s world takes a greater toll on the cruelty mankind can have on “lesser humans” than that even portrayed in the Astro Boy series as (Pages 79-83) Alita and Ido are clearly on the verge of death and yet the common citizens of the world care not for a bleeding man and his almost completely destroyed robot child in a society where robots and humans apparently become one in the same.
·         The brutality of the strong is made apparent in Alita’s world with how people have their brains eaten easily by monstrous cyborgs (Page 42) to how people pour acid into sewers where homeless children live(Pages 236-238).
·         Ido is himself a shady father character who grew up with handling the brutality of the world around him, as with the case of him being a hunter of rouge cyborgs (Page 46-49). It should be noted that he does not want Alita to delve into the world of violence she has been reborn into (Pages 44-45).
·         The exact nature of the story’s history is never made clear past that this takes place in the far future where people normally are cyborgs. There was apparently a super war in space that happened as with how Alita gets her Berserker body (Pages 92-97) which was a war machine that was used by soldiers and found by Ido.
·         Overall, this series is a great read especially when contrasted to the more kid-friendly Astro Boy. Battle Angel Alita was clearly tailored towards an adult audience and touched themes not normally presented in Western kids comics.
Bibliography:
Kishiro, Yukito. Battle Angel Alita. San Francisco: Viz Comics, 1994. Print.